THE DIGITAL REVOLUTION THOUGH CHRISTOPHER NOLAN

AUTHORS – VATSHAL AMBASTHA¹ & MR. KRISHNA KANT TIWARI², STUDENT¹ & ASSISTANT PROFESSOR² AT AMITY SCHOOL OF COMMUNICATION, AMITY UNIVERSITY, NOIDA (U.P.)

BEST CITATION – VATSHAL AMBASTHA & MR. KRISHNA KANT TIWARI, THE DIGITAL REVOLUTION THOUGH CHRISTOPHER NOLAN, INDIAN JOURNAL OF LEGAL REVIEW (IJLR), 4 (1) OF 2024, PG. 1204-1212, APIS – 3920 – 0001 & ISSN – 2583-2344.

ABSTRACT

The digital revolution has profoundly impacted various facets of contemporary society, including the realms of art, culture, and communication. This dissertation project seeks to investigate the transformative effects of the digital era through the cinematic works of acclaimed filmmaker Christopher Nolan. By employing a multidisciplinary approach that integrates film studies, digital media theory, and cultural analysis, this research aims to elucidate how Nolan’s oeuvre reflects, critiques, and contributes to the on-going digital revolution. Through an in-depth examination of key films such as “Inception,” “Interstellar” and “Tenet,” this study will explore how Nolan navigates the intersection of technology, storytelling, and human experience. Furthermore, this research will examine the reception and cultural impact of Nolan’s films within the context of the digital age, considering the influence on popular discourse, audience engagement, and industry practices. Ultimately, this dissertation project aspires to contribute to a deeper understanding of the digital revolution’s impact on contemporary cinema and culture, using Christopher Nolan’s body of work as a lens through which to explore the complexities of technological change, narrative innovation, and human creativity in the digital age.